Untitled 2021
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Untitled
2020
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Lead us to Water
2016
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Discolour’d Floral Games
2016
Untitled 2021
Untitled
2020
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Lead us to Water
2016
Discolour’d Floral Games explores the entangled relationship between women and the natural world through a layered, tactile aesthetic. Drawing on the language of collage and film noir, the series merges rich, saturated colour with stark black-and-white to create an atmosphere of quiet unease.
Florals loom large—dense, textured, and strange—appearing not as passive ornaments but as sentient forces. In some frames, they seem to seduce; in others, to consume. The women are caught in a state of becoming, their bodies entwined with petals and stems as if nature itself is folding them inward. There’s mystery here, and desire—beauty laced with dread.
The flowers do not simply adorn—they act. They hover in shadow, devour in silence, blur the line between protection and threat. Are they guardians, or something darker? In this uncanny dance between subject and bloom, the feminine merges with the feral. Vulnerability becomes power, fear becomes intimacy. We are left to wonder: are these florals friend or foe?
Florals loom large—dense, textured, and strange—appearing not as passive ornaments but as sentient forces. In some frames, they seem to seduce; in others, to consume. The women are caught in a state of becoming, their bodies entwined with petals and stems as if nature itself is folding them inward. There’s mystery here, and desire—beauty laced with dread.
The flowers do not simply adorn—they act. They hover in shadow, devour in silence, blur the line between protection and threat. Are they guardians, or something darker? In this uncanny dance between subject and bloom, the feminine merges with the feral. Vulnerability becomes power, fear becomes intimacy. We are left to wonder: are these florals friend or foe?
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Pistil Floral Seduction
2016
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Pistil Floral Seduction reunites the female figure with inflorescent forms through a layered visual language that evokes both sensuality and strangeness. Drawing inspiration from the natural world, the series magnifies the delicate intricacies of plants—revealing their vitality, vulnerability, and quiet seduction.
In these works, botanical elements become more than adornment; they are extensions of the body, symbolic reflections of fertility, femininity, and desire. The women appear entwined with flora, embodying a visceral connection to the earth and its cyclical rhythms.
Through soft gestures and textural interplay, Pistil Floral Seduction reflects on the enduring relationship between the feminine and the natural world—where petals suggest skin, pistils evoke longing, and growth becomes a metaphor for transformation. It is a space of quiet power, where fragility and allure coalesce.
In these works, botanical elements become more than adornment; they are extensions of the body, symbolic reflections of fertility, femininity, and desire. The women appear entwined with flora, embodying a visceral connection to the earth and its cyclical rhythms.
Through soft gestures and textural interplay, Pistil Floral Seduction reflects on the enduring relationship between the feminine and the natural world—where petals suggest skin, pistils evoke longing, and growth becomes a metaphor for transformation. It is a space of quiet power, where fragility and allure coalesce.
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She Raw
2012
She Raw documents forty-one everyday women suspended in a space between reality and fantasy.
This series uncovers the engaging mysteries and quiet truths that often lie undiscovered beneath a woman's skin. By revealing moments of intimacy, vulnerability, and defiance, the images invite reflection on the complex relationships women have with themselves and one another.
Themes of self-perception, inherited beauty standards, and collective resilience emerge, not as static ideals, but as evolving expressions of strength. These portraits become small acts of reclamation, offering space to be seen outside of expectation.
As with Women Who Run With the Wolves, these women roar
This series uncovers the engaging mysteries and quiet truths that often lie undiscovered beneath a woman's skin. By revealing moments of intimacy, vulnerability, and defiance, the images invite reflection on the complex relationships women have with themselves and one another.
Themes of self-perception, inherited beauty standards, and collective resilience emerge, not as static ideals, but as evolving expressions of strength. These portraits become small acts of reclamation, offering space to be seen outside of expectation.
As with Women Who Run With the Wolves, these women roar
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Stainmakers
2012
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Black Sunday
2012
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Instrinsic Storms
2011
