I would like to acknowledge and pay my respects to the people, the Traditional Custodians of the land on which I live, work and make art. I would like to pay my respects to their Elders, past, present, and emerging, and acknowledge all Aboriginal and Torres Strait Islanders. I also want to pay my respects to their Elders, past, present, and emerging.
Lilli Waters (born 1983, Armidale, NSW) is a Thai-Australian fine arts photographer whose work delves into the human condition, capturing dramatic portrayals of the female form amidst haunting, windswept landscapes and ethereal underwater still lifes.
Her images have a painterly quality, evoking the Renaissance and Pre-Raphaelite eras. They contain elements of the macabre and foreboding, a jewel-like palette, and a delicate play of light. Waters often uses translucent fabrics, veils, and flowing hair to obscure the identities of her subjects, suggesting that her portraits serve as much as mirrors for the viewer as they do representations of the women depicted.
At first glance, Waters' work seems to present a romantic vision of beauty, exploring the parallels between the fertility of the female body and the landscape. Yet, in the context of the 'Me Too' movement and the ongoing ecological crisis, her work offers a critical feminine gaze. Her portraits address the paradox of existing as a woman—how one navigates physical agency and ease in a society that objectifies women while simultaneously ravaging the environment. These images convey layered emotions, balancing darkness and luminosity, strength and vulnerability, while offering new perspectives rooted in an awareness of our reliance on the earth.
Waters' ecological concerns are also evident in her underwater still life series, which references the lighting and composition of Northern Renaissance paintings. These works feature live marine creatures amidst rocks, fruit, plants, and flowers, evoking other-worldly landscapes with a distinct sense of space and suspended time. In portraying luxuriant yet fragile beauty, Waters offers a poignant reminder of the looming loss of entire species and ecosystems due to climate change.
Waters’ work has been exhibited internationally in Italy, Germany, Japan, the UK, the US, and Australia, earning widespread acclaim. Her images have appeared in numerous global publications, including Harper’s Bazaar, Vogue, Elle, Marie Claire, Real Living, and Belle (Australia); Art Aesthetica (UK); Il Fotografo (Italy); FotoNostrum (Barcelona), Austrian Living (Austria); and The Opera and Pétala Magazine (Germany). Her work has also been featured in films such as Fifty Shades Darker and Fifty Shades Freed (USA).
Her works have been recognised with several prestigious awards, including being the winner of the Julia Margaret Cameron Award (2024), Du Rietz Art Award (2021), and the Beautiful Bizarre Art Prize Photography Award (2022). She has also been a finalist in prizes such as the Ravenswood Australian Women’s Art Prize (2021, 2022), the Nillumbik Prize for Contemporary Art (2021, 2022), the Fisher’s Ghost Art Award (2020), the Beautiful Bizarre Art Prize (2020, 2022), the Du Rietz Art Awards (2020), the Percival Photographic Art Prize (2020), the National Portrait Prize (2019), the Australian Photography Awards (2018–2023), and the Aesthetica Art Award (2018). In 2023, her moving image works were exhibited at Sydney Contemporary, Carriageworks, as part of her solo exhibition Pay Attention to the Heavens.
Lilli Waters lives and works in Melbourne / Naarm, Australia.
Lilli Waters (born 1983, Armidale, NSW) is a Thai-Australian fine arts photographer whose work delves into the human condition, capturing dramatic portrayals of the female form amidst haunting, windswept landscapes and ethereal underwater still lifes.
Her images have a painterly quality, evoking the Renaissance and Pre-Raphaelite eras. They contain elements of the macabre and foreboding, a jewel-like palette, and a delicate play of light. Waters often uses translucent fabrics, veils, and flowing hair to obscure the identities of her subjects, suggesting that her portraits serve as much as mirrors for the viewer as they do representations of the women depicted.
At first glance, Waters' work seems to present a romantic vision of beauty, exploring the parallels between the fertility of the female body and the landscape. Yet, in the context of the 'Me Too' movement and the ongoing ecological crisis, her work offers a critical feminine gaze. Her portraits address the paradox of existing as a woman—how one navigates physical agency and ease in a society that objectifies women while simultaneously ravaging the environment. These images convey layered emotions, balancing darkness and luminosity, strength and vulnerability, while offering new perspectives rooted in an awareness of our reliance on the earth.
Waters' ecological concerns are also evident in her underwater still life series, which references the lighting and composition of Northern Renaissance paintings. These works feature live marine creatures amidst rocks, fruit, plants, and flowers, evoking other-worldly landscapes with a distinct sense of space and suspended time. In portraying luxuriant yet fragile beauty, Waters offers a poignant reminder of the looming loss of entire species and ecosystems due to climate change.
Waters’ work has been exhibited internationally in Italy, Germany, Japan, the UK, the US, and Australia, earning widespread acclaim. Her images have appeared in numerous global publications, including Harper’s Bazaar, Vogue, Elle, Marie Claire, Real Living, and Belle (Australia); Art Aesthetica (UK); Il Fotografo (Italy); FotoNostrum (Barcelona), Austrian Living (Austria); and The Opera and Pétala Magazine (Germany). Her work has also been featured in films such as Fifty Shades Darker and Fifty Shades Freed (USA).
Her works have been recognised with several prestigious awards, including being the winner of the Julia Margaret Cameron Award (2024), Du Rietz Art Award (2021), and the Beautiful Bizarre Art Prize Photography Award (2022). She has also been a finalist in prizes such as the Ravenswood Australian Women’s Art Prize (2021, 2022), the Nillumbik Prize for Contemporary Art (2021, 2022), the Fisher’s Ghost Art Award (2020), the Beautiful Bizarre Art Prize (2020, 2022), the Du Rietz Art Awards (2020), the Percival Photographic Art Prize (2020), the National Portrait Prize (2019), the Australian Photography Awards (2018–2023), and the Aesthetica Art Award (2018). In 2023, her moving image works were exhibited at Sydney Contemporary, Carriageworks, as part of her solo exhibition Pay Attention to the Heavens.
Lilli Waters lives and works in Melbourne / Naarm, Australia.
︎ CV
SOLO EXHIBITIONS
2025
To be announced, Curatorial & Co. Gallery, Sydney NSW
2023
Pay Attention to the Heavens, Curatorial & Co. Gallery, Sydney NSW
Sydney Contemporary, Sydney NSW
2022
Orpheus, Curatorial & Co., Sydney NSW
Orpheus, Metro Gallery, Melbourne VIC
2020
Disenchantments of the World, Curatorial & Co. gallery, Sydney, NSW
Anthropocene: The Age of Humans, Virtual Exhibition, Curatorial & Co. gallery
2019
Reawaken, Craig’s Royal Hotel in collaboration with the Ballarat International Foto Biennale, VIC
Untitled, Metro Gallery, Melbourne VIC
Others Dream, Modern Times, Melbourne VIC
Things of Fire and Ash, Remembered, Victoria Police Museum, VIC
2018
Coral Lands, Saint Cloche Gallery, Sydney NSW
2017
Plastic Fish, Junior Space, Melbourne VIC
2015
Anja, Red Gallery, Melbourne VIC
2013
Things of Fire and Ash, Victoria Police Museum, Melbourne VIC, touring Nationally
2012
She Raw, Edmund Pearce Gallery, Melbourne VIC
She Raw, Blak Dot Gallery, Melbourne VIC
SELECTED GROUP EXHIBITIONS
2025
25th Julia Margaret Cameron Award Exhibition, FotoNustrum Gallery, Barcelona, Spain
2024
Daring, Curatorial & Co. Gallery, Sydney
2023
Nillumbik Prize for Contemporary Art Exhibition, Monselvat, VIC
19th Julia Margaret Cameron Award Exhibition, FotoNustrum Gallery, Barcelona, Spain
Artist in Residence, Assembly Label, Melbourne
2022
TACIT Finalists, TACIT Galleries, Melbourne
There With Us, At 14, Melbourne
Darlings, Curatorial & Co. Gallery, Sydney
Halycon Days, Modern Eden Gallery, San Francisco, California, USA
Du Rietz Art Awards, Gympie Regional Gallery, QLD
Ravenswood Australian Women’s Art Prize, Ravenswood School For Girls, NSW
Percival Photographic Portrait Prize, Perc Tucker Regional Gallery, QLD
2021
Darlings, Curatorial & Co. Gallery, Sydney
Naked & Nude Art Prize, Manning Regional Gallery, NSW
Du Rietz Art Awards, Gympie Regional Gallery, QLD
Flora, Heritage Hill Museum and Historic Gardens, City of Greater Dandenong, VIC
Ilford CCP Salon, CCP, Melbourne
2020
Darlings, Curatorial & Co. Gallery, Sydney
The Laneway Gallery, in collaboration with Jane by the Grey Attic & Melbourne GPOWomen and Photography: Ways of Seeing and Being Seen, OVADA Gallery, Photo Oxford Festival, United Kingdom
Fisher’s Ghost Art Award, Campbelltown Arts Centre, NSW
ICP: Concerned: Global images for Global crisis, International Center of Photography, New York, USA
Talismans, Rafts, Mementos, Modern Times, Melbourne
Here With Me, Curatorial & Co. Gallery, Sydney
Du Rietz Art Awards, Gympie Regional Gallery, QLD
Percival Portrait Prize, Perc Tucker Regional Gallery, QLD
Loud and Luminous, Contact Sheet Gallery, Sydney
These Days: Works in Isolation, Virtual Exhibition
2019
Summer Group Exhibition, Metro Gallery, Melbourne
Chapter One, Pix on Location, Sydney
Ritual Practice, Modern Times, Melbourne
Rose Rouge Kaisu, Tokyo, Japan
Midyear Selection Exhibition, Metro Gallery, Melbourne
Winter Group Exhibition, Metro Gallery, Melbourne
Loud & Luminous, Head On Photo Festival, Contact Sheet Gallery, Sydney
National Photographic Portrait Prize, National Portrait Gallery, NSW, touring nationally
Sun Celebrates Her, Sun Studios, Melbourne
Her Wild Dreaming, Schoolhouse Studios, Melbourne
Fifty Squared Art Prize, Brunswick Street Gallery
2018
PCP Collective, Perth Centre for Photography, WA
ILFORD CCP Salon, Contemporary Centre of Photography, Melbourne
Summer Group Exhibition, Metro Gallery, Melbourne
The Luxury of Landscape Palazzo Pandolfini, Tuscany, Italy
The Last Line of Defence Besser Space, Melbourne
Candyland for CanTeen Art Auction, NAB Graduate Fundraiser, Melbourne
Hyper 222, Roslyn Gallery, Melbourne
Contemporary Art Awards, online
2017
STILL National Still Life Award, Coffs Harbour Regional Gallery, NSW
Her Way 5 Rankins Lane Gallery, Melbourne
2016
BlümchenSex Palmengarten, Frankfurt, Germany
Phantom Paradise, Saint Cloche Gallery, Sydney
2015
Keeping Company: Saltwater Manly Art Gallery, Sydney
Unreal Head On Photo Festival, M2 Gallery, Sydney
Anja Pop-Up, Leonard St, Melbourne
2014
Head On Photo Festival, Sydney
2013
Stockroom Carbon Black Gallery, Melbourne
Art in Mind, The Brick Lane Gallery, London
Head On Photo Festival, State Library of NSW
AWARDS
2025
Shortlisted, Anthology Photography Competition
2024
Winner, Julia Margaret Cameron Award
2023
Finalist x 2, Australian Photography Awards
2020
Finalist x 3, Australian Photography Awards
Honourable Mention, International Photography Awards
Finalist, Photo Oxford Festival
Finalist, Fisher’s Ghost Art Award
Finalist, Beautiful Bizarre Art Award
Highly Commended, The Mono Awards
Finalist, Du Reitz Art Awards
Finalist, Percival Photographic Portrait Prize
Finalist, Biennale Adelaide Park Lands Art Prize
2019
Honourable Mention, Budapest International Photo Awards
Finalist, Australian Photography Awards
Finalist, Now Contemporary Art Prize
Finalist, Beautiful Bizarre Art Prize
Finalist, Iris Awards, Perth Centre for Photography
Commended, The Mono Awards
Finalist, Incinerator Art Award
Highly Commended, Australasia’s Top Emerging Photographers Awards
Finalist, National Photographic Portrait Prize
2018
Finalist, Australian Photography Awards
Finalist, Art Aesthetica Art Award
2017
Finalist, Contemporary Art Awards
Finalist, National Still Life Award
Finalist, Click 17, Brunswick St Gallery
Semi-Finalist, Head On Portrait Prize
2015
Semi-Finalist, Head On Portrait Prize
Finalist, Head On Portrait Prize
2013
Highly Commended, Qantas Soya Photography Award
2012
Highly Commended, Doug Moran National Contemporary Photographic Prize
Semi-Finalist x 2, Doug Moran National Contemporary Photographic Prize
Highly Commended, Qantas Soya Photography Award
2011
Winner, Focus Project People’s Choice
2002
Photographic Folio of the Year, Photographic Imaging College
2025
To be announced, Curatorial & Co. Gallery, Sydney NSW
2023
Pay Attention to the Heavens, Curatorial & Co. Gallery, Sydney NSW
Sydney Contemporary, Sydney NSW
2022
Orpheus, Curatorial & Co., Sydney NSW
Orpheus, Metro Gallery, Melbourne VIC
2020
Disenchantments of the World, Curatorial & Co. gallery, Sydney, NSW
Anthropocene: The Age of Humans, Virtual Exhibition, Curatorial & Co. gallery
2019
Reawaken, Craig’s Royal Hotel in collaboration with the Ballarat International Foto Biennale, VIC
Untitled, Metro Gallery, Melbourne VIC
Others Dream, Modern Times, Melbourne VIC
Things of Fire and Ash, Remembered, Victoria Police Museum, VIC
2018
Coral Lands, Saint Cloche Gallery, Sydney NSW
2017
Plastic Fish, Junior Space, Melbourne VIC
2015
Anja, Red Gallery, Melbourne VIC
2013
Things of Fire and Ash, Victoria Police Museum, Melbourne VIC, touring Nationally
2012
She Raw, Edmund Pearce Gallery, Melbourne VIC
She Raw, Blak Dot Gallery, Melbourne VIC
SELECTED GROUP EXHIBITIONS
2025
25th Julia Margaret Cameron Award Exhibition, FotoNustrum Gallery, Barcelona, Spain
2024
Daring, Curatorial & Co. Gallery, Sydney
2023
Nillumbik Prize for Contemporary Art Exhibition, Monselvat, VIC
19th Julia Margaret Cameron Award Exhibition, FotoNustrum Gallery, Barcelona, Spain
Artist in Residence, Assembly Label, Melbourne
2022
TACIT Finalists, TACIT Galleries, Melbourne
There With Us, At 14, Melbourne
APA Awards, Bodriggy Brewpub, Melbourne
Halycon Days, Modern Eden Gallery, San Francisco, California, USA
Environmental Art & Design Prize, Manly Art Gallery & Museum, NSW
Ravenswood Australian Women’s Art Prize, Ravenswood School For Girls, NSW
Percival Photographic Portrait Prize, Perc Tucker Regional Gallery, QLD
2021
Darlings, Curatorial & Co. Gallery, Sydney
Naked & Nude Art Prize, Manning Regional Gallery, NSW
Du Rietz Art Awards, Gympie Regional Gallery, QLD
Flora, Heritage Hill Museum and Historic Gardens, City of Greater Dandenong, VIC
Art in the Plague Year, UCR Arts, California Museum of Photography, USA
2020
Darlings, Curatorial & Co. Gallery, Sydney
The Laneway Gallery, in collaboration with Jane by the Grey Attic & Melbourne GPO
Fisher’s Ghost Art Award, Campbelltown Arts Centre, NSW
ICP: Concerned: Global images for Global crisis, International Center of Photography, New York, USA
Here With Me, Curatorial & Co. Gallery, Sydney
Du Rietz Art Awards, Gympie Regional Gallery, QLD
Percival Portrait Prize, Perc Tucker Regional Gallery, QLD
Loud and Luminous, Contact Sheet Gallery, Sydney
These Days: Works in Isolation, Virtual Exhibition
2019
Summer Group Exhibition, Metro Gallery, Melbourne
Chapter One, Pix on Location, Sydney
Ritual Practice, Modern Times, Melbourne
Rose Rouge Kaisu, Tokyo, Japan
Midyear Selection Exhibition, Metro Gallery, Melbourne
Winter Group Exhibition, Metro Gallery, Melbourne
Loud & Luminous, Head On Photo Festival, Contact Sheet Gallery, Sydney
National Photographic Portrait Prize, National Portrait Gallery, NSW, touring nationally
Sun Celebrates Her, Sun Studios, Melbourne
Her Wild Dreaming, Schoolhouse Studios, Melbourne
Fifty Squared Art Prize, Brunswick Street Gallery
2018
PCP Collective, Perth Centre for Photography, WA
ILFORD CCP Salon, Contemporary Centre of Photography, Melbourne
Summer Group Exhibition, Metro Gallery, Melbourne
The Luxury of Landscape Palazzo Pandolfini, Tuscany, Italy
The Last Line of Defence Besser Space, Melbourne
Candyland for CanTeen Art Auction, NAB Graduate Fundraiser, Melbourne
Hyper 222, Roslyn Gallery, Melbourne
Contemporary Art Awards, online
2017
STILL National Still Life Award, Coffs Harbour Regional Gallery, NSW
Her Way 5 Rankins Lane Gallery, Melbourne
2016
BlümchenSex Palmengarten, Frankfurt, Germany
Phantom Paradise, Saint Cloche Gallery, Sydney
2015
Keeping Company: Saltwater Manly Art Gallery, Sydney
Unreal Head On Photo Festival, M2 Gallery, Sydney
Anja Pop-Up, Leonard St, Melbourne
2014
Head On Photo Festival, Sydney
2013
Stockroom Carbon Black Gallery, Melbourne
Art in Mind, The Brick Lane Gallery, London
Head On Photo Festival, State Library of NSW
AWARDS
2025
Shortlisted, Anthology Photography Competition
2024
Winner, Julia Margaret Cameron Award
2023
Finalist x 2, Australian Photography Awards
2022
Finalist, Nillumbik Prize for Contemporary Art
Finalist, 19th Julia Cameron Award
Finalist, TACIT Still Life Award
Finalist, Australian Photography Awards
Winner 2nd Prize, Beautiful Bizarre Art Prize Photography Award
Finalist, Environmental Art & Design Prize
Finalist, Du Rietz Art Awards
Finalist, Ravenswood Australian Women’s Art Prize
Finalist, Percival Photographic Portrait Prize
2021
Finalist, Iris Award, Perth Centre for Photography
Winner, Du Rietz Art Award
Finalist, Naked & Nude Art Prize
Finalist x 2, Du Rietz Art Awards
Finalist, Ravenswood Australian Women’s Art Prize
Finalist, Nillumbik Prize for Contemporary Art
Finalist, Nillumbik Prize for Contemporary Art
Finalist, 19th Julia Cameron Award
Finalist, TACIT Still Life Award
Finalist, Australian Photography Awards
Winner 2nd Prize, Beautiful Bizarre Art Prize Photography Award
Finalist, Environmental Art & Design Prize
Finalist, Du Rietz Art Awards
Finalist, Ravenswood Australian Women’s Art Prize
Finalist, Percival Photographic Portrait Prize
2021
Finalist, Iris Award, Perth Centre for Photography
Winner, Du Rietz Art Award
Selected, 200 Best Photographers Worldwide 2021/2022, Lurzer’s Archive
Finalist x 2, Du Rietz Art Awards
Finalist, Ravenswood Australian Women’s Art Prize
Finalist, Nillumbik Prize for Contemporary Art
Finalist x 3, Australian Photography Awards
Honourable Mention, International Photography Awards
Finalist, Fisher’s Ghost Art Award
Finalist, Beautiful Bizarre Art Award
Highly Commended, The Mono Awards
Finalist, Du Reitz Art Awards
Finalist, Percival Photographic Portrait Prize
Finalist, Biennale Adelaide Park Lands Art Prize
2019
Honourable Mention, Budapest International Photo Awards
Finalist, Australian Photography Awards
Finalist, Now Contemporary Art Prize
Finalist, Beautiful Bizarre Art Prize
Finalist, Iris Awards, Perth Centre for Photography
Commended, The Mono Awards
Finalist, Incinerator Art Award
Highly Commended, Australasia’s Top Emerging Photographers Awards
Finalist, National Photographic Portrait Prize
2018
Finalist, Australian Photography Awards
Finalist, Art Aesthetica Art Award
2017
Finalist, Contemporary Art Awards
Finalist, National Still Life Award
Finalist, Click 17, Brunswick St Gallery
Semi-Finalist, Head On Portrait Prize
2015
Semi-Finalist, Head On Portrait Prize
Finalist, Head On Portrait Prize
2013
Highly Commended, Qantas Soya Photography Award
2012
Highly Commended, Doug Moran National Contemporary Photographic Prize
Semi-Finalist x 2, Doug Moran National Contemporary Photographic Prize
Highly Commended, Qantas Soya Photography Award
2011
Winner, Focus Project People’s Choice
2002
Photographic Folio of the Year, Photographic Imaging College
IN PRINT TEXT | INTERVIEWS
2025
Marie Claire, Australia
Jane by the Grey Attic Magazine, Australia
Beautiful Bizarre Magazine, Australia
2019
Austrian Living Magazine, Austria
Belle Magazine, Australia
The Opéra Magazine, Vol. VIII, Germany
Vogue Living Magazine, Australia
2018
Capture Magazine, Australia
Noblesse China Magazine, China
Photo Essay Nature & Human Beings Future Now, 100 Contemporary Artists, USA
Real Living Magazine, Australia
2017
Das Magazin, USA
The Opera Magazine, Vol. VI, Germany
The Age, Sunday Life, Australia
2016
Yen Magazine, Issue 83, Australia
Australian House & Garden Magazine, Australia
Yen Magazine, Issue 83, Australia
2015
Tallulah Magazine, UK
Art Aesthetica Magazine, UK
Melbourne Observer, Australia
Blink Magazine, USA
Interview Elle Magazine, Australia
2014
Daphne programme for La Monnaie, Belgium
Book Cover, La Sage Femme, Katja Kettu, France
Yen Magazine, Issue 71, Australia
The Opera Magazine, Vol. III, Germany
Kai’outi Magazine, USA
The Issue Magazine, USA
Spook Magazine, Australia
2013
Peppermint Magazine, Issue 14, Australia
Yen Magazine, Issue 62, Australia
Minx Magazine, USA
Rattapallax Magazine, USA
Fine Line Magazine, USA
The Modern and Contemporary Art, France
Fashion Trend Magazine, Australia
2012
Yen Magazine, Issue 56, Australia
ONLINE TEXT | INTERVIEWS
2023
Hunter & Folk
Artist in Residence: Assembly Label
2022
Beautiful Bizarre
The Style Curator
The Design Files
Hunter & Folk
2021
Lenscratch
Contemporary Art Collectors
Beware Magazine
2020
Vogue Living
The Design Files
Hunter & Folk
Australian Arts Review
Artdoc Magazine
2019
Art Thy Neighbour
Modern Times Journal
The Age
The Design Files
2018
Feature Shoot
The Design Files
Vogue Living
The Design Files
We Are Scout
Irisi Magazine
2017
The Design Files
Peppermint Magazine
The Design Files
2016
Yen Magazine
Label Magazine, Poland
Studio Home, NZ
Fubiz, France
Gooood, China
Trendland, USA
Juxtapoz Magazine, USA
Plain Magazine
Looks like Film
2015
Aesthetica Magazine
Melbourne Arts Club
Yen Magazine
Australian Arts Review
Pop.Edit.Lit
Tweed Daily News
2014
Gorgeous Artgirl
The Quiet Front
Fstoppers
Chromatic Watch
iGNANT Magazine, Germany
Thisispaper Magazine, Poland
GUP Magazine
Worbz
2013
S O S H A L L W O R K
Shock Blast
Flanelle Magazine
My Modern Met
City Like You, UK
Studio Home, NZ
Milkbar Magazine
Clik Clik, France
Australian Infront
File Magazine
2012
Interviews Aloud
We are Selecters
Acclaim Magazine
Beautiful Savage
Frankie Magazine
EB Cult, USA
The Age
Eat Read Love
Empty Kingdom, USA
BOOKS
2015 Anja - OUT OF PRINT
2012 She Raw - OUT OF PRINT
OTHER
2020 Awarded the Creative Victoria Sustaining Arts Grant
2018 Featured on Art Bites: Mirror, ABC documentary series
2015 ‘Anja’ book launch, Blak Dot Gallery
2013 Speaker, Semi-Permanent Creative Global Conference, Melbourne and Brisbane
2012 ‘She Raw, The 41 Women’s Portraits’ book launch Asia-Pacific Photobook Archive
2025
Marie Claire, Australia
2024
The Opéra Magazine, Germany
FotoNostrum, The Mediterranean House of Photography, Barcelona, Spain
Aesthetica Magazine, UK
2023
Art Almanac Interview, Australia
Contemporary Art Collectors Book Volume I, Spain
2022
Beautiful Bizarre Magazine, Australia
Harpers Bazaar, Australia
Marie Claire, Australia
Il Fotografo Magazine 336 “I AM / IO SONO”, Italy
Real Living Magazine, Australia
2021
Marie Claire, Australia
Lürzer’s Archive Magazine, Austria
Pétula Magazine, Germany
Normal Magazine, France
Real Living Magazine, Australia
Jane by the Grey Attic Magazine, Australia
‘Mass Isolation Australia’ publication, Ballarat International Foto Biennale
2020
Belle Magazine, Australia
The Opéra Magazine, Germany
FotoNostrum, The Mediterranean House of Photography, Barcelona, Spain
Aesthetica Magazine, UK
2023
Art Almanac Interview, Australia
Contemporary Art Collectors Book Volume I, Spain
2022
Beautiful Bizarre Magazine, Australia
Harpers Bazaar, Australia
Marie Claire, Australia
Il Fotografo Magazine 336 “I AM / IO SONO”, Italy
Real Living Magazine, Australia
2021
Marie Claire, Australia
Lürzer’s Archive Magazine, Austria
Pétula Magazine, Germany
Normal Magazine, France
Real Living Magazine, Australia
Jane by the Grey Attic Magazine, Australia
‘Mass Isolation Australia’ publication, Ballarat International Foto Biennale
2020
Belle Magazine, Australia
Beautiful Bizarre Magazine, Australia
2019
Austrian Living Magazine, Austria
Belle Magazine, Australia
The Opéra Magazine, Vol. VIII, Germany
Vogue Living Magazine, Australia
2018
Capture Magazine, Australia
Noblesse China Magazine, China
Photo Essay Nature & Human Beings Future Now, 100 Contemporary Artists, USA
Real Living Magazine, Australia
2017
Das Magazin, USA
The Opera Magazine, Vol. VI, Germany
The Age, Sunday Life, Australia
2016
Yen Magazine, Issue 83, Australia
Australian House & Garden Magazine, Australia
Yen Magazine, Issue 83, Australia
2015
Tallulah Magazine, UK
Art Aesthetica Magazine, UK
Melbourne Observer, Australia
Blink Magazine, USA
Interview Elle Magazine, Australia
2014
Daphne programme for La Monnaie, Belgium
Book Cover, La Sage Femme, Katja Kettu, France
Yen Magazine, Issue 71, Australia
The Opera Magazine, Vol. III, Germany
Kai’outi Magazine, USA
The Issue Magazine, USA
Spook Magazine, Australia
2013
Peppermint Magazine, Issue 14, Australia
Yen Magazine, Issue 62, Australia
Minx Magazine, USA
Rattapallax Magazine, USA
Fine Line Magazine, USA
The Modern and Contemporary Art, France
Fashion Trend Magazine, Australia
2012
Yen Magazine, Issue 56, Australia
ONLINE TEXT | INTERVIEWS
2023
Hunter & Folk
Artist in Residence: Assembly Label
2022
Beautiful Bizarre
The Style Curator
The Design Files
Hunter & Folk
2021
Lenscratch
Contemporary Art Collectors
Beware Magazine
2020
Vogue Living
The Design Files
Hunter & Folk
Australian Arts Review
Artdoc Magazine
2019
Art Thy Neighbour
Modern Times Journal
The Age
The Design Files
2018
Feature Shoot
The Design Files
Vogue Living
The Design Files
We Are Scout
Irisi Magazine
2017
The Design Files
Peppermint Magazine
The Design Files
2016
Yen Magazine
Label Magazine, Poland
Studio Home, NZ
Fubiz, France
Gooood, China
Trendland, USA
Juxtapoz Magazine, USA
Plain Magazine
Looks like Film
2015
Aesthetica Magazine
Melbourne Arts Club
Yen Magazine
Australian Arts Review
Pop.Edit.Lit
Tweed Daily News
2014
Gorgeous Artgirl
The Quiet Front
Fstoppers
Chromatic Watch
iGNANT Magazine, Germany
Thisispaper Magazine, Poland
GUP Magazine
Worbz
2013
S O S H A L L W O R K
Shock Blast
Flanelle Magazine
My Modern Met
City Like You, UK
Studio Home, NZ
Milkbar Magazine
Clik Clik, France
Australian Infront
File Magazine
2012
Interviews Aloud
We are Selecters
Acclaim Magazine
Beautiful Savage
Frankie Magazine
EB Cult, USA
The Age
Eat Read Love
Empty Kingdom, USA
BOOKS
2015 Anja - OUT OF PRINT
2012 She Raw - OUT OF PRINT
OTHER
2020 Awarded the Creative Victoria Sustaining Arts Grant
2018 Featured on Art Bites: Mirror, ABC documentary series
2015 ‘Anja’ book launch, Blak Dot Gallery
2013 Speaker, Semi-Permanent Creative Global Conference, Melbourne and Brisbane
2012 ‘She Raw, The 41 Women’s Portraits’ book launch Asia-Pacific Photobook Archive