Dress and War
2015
2015
Dress and War
2015
“The connection between dress and war is not so far to seek, your finest clothes are those you wear as soldiers.”
— Virginia Woolf
Dress and War costumes become armour. The fabric that once adorned women in the domestic realm—draped, stitched, ceremonial—becomes charged with a quiet defiance. This series considers the intersections of womanhood, performance, and survival, where adornment is not decoration but a coded language of resilience.
Figures appear cloaked, contorted, or obscured, often gazing elsewhere or captured mid-motion. Some are bound in ritualistic gestures, others seem to vanish into fabric or darkness. Referencing historical painting, folklore, and cinematic tableaux, these images resist easy narratives. They speak instead to a lineage of women who endured, adapted, concealed, and mourned in silence.
This is a reckoning with inherited roles—the domestic, the obedient, the ornamental—and a reframing of how dress functions not as compliance, but as a subversive act. In a world that so often wages war on the female body, these portraits stand as both elegy and uprising.
This series explores my ongoing fascination with the female figure,
its connection to the floral form, and the relationship between the two.
This body of work reflects a quite yet strong reflection on colour,
light and the intrincacies of nature.
its connection to the floral form, and the relationship between the two.
This body of work reflects a quite yet strong reflection on colour,
light and the intrincacies of nature.